Billboard magazine recently conducted an interview with SYSTEM OF A DOWN frontman Serj Tankian. An excerpt from the chat follows:

Q: How did you first get involved in green issues?

Tankian: I've been a supporter of Greenpeace and the Sierra Club for years. I have a place in New Zealand, and I was really impressed with a Greenpeace action that took place down there recently. Greenpeace folks boarded a Japanese whaling ship to try to shut it down, and in the midst of the conflict, both ships ran out of fuel. When a rescue ship came, the Greenpeace people tried to disconnect the fuel lines to the whaling ship, even though it meant they'd be stuck as well. It was kind of crazy, but sometimes you have to be ballsy and put yourself out.

Q: This is all great, but I'm wondering how you justify being part of an industry that produces so much waste. You've sold more than 10 million CDs, and many of those were in plastic containers that had to be shipped to stores.

Tankian: Basically, we're all hypocrites unless we go out and live off the land. That way of living is a model for me, because I think those people are clued in about climate change and the way we're going to have to alter our lives. I spend a lot of the record talking about the end of civilization, and I don't mean an apocalypse. I think that we are going to have to come to terms with the fact that the way we live now will not exist in 50 years, period.

Q: Along those same lines, you have been touring for this record, and while you have carbon offset programs in place, you are still using a lot of resources and putting a lot of goods out there. How do you reconcile that with your belief system?

Tankian: Again, I realize I am a hypocrite by going on the road and doing this. I've had an idea for a long time, which might sound a little crazy, but I really want to look into holographic touring. I think we could reduce our need to travel if we could project ourselves into meetings and concerts. We have the technology, and we're not using it right now.

For instance, I have a studio next to my house and a live performance room in the studio. I could broadcast a show in real time and could interact with the audience as if we were in the same room. After all, it's not like the audience can touch me, anyway. (laughs) It would open up a whole new world for touring — shows wouldn't have to be limited to bars or clubs. There would be no travel costs, so bands with very little money could play shows, and tickets would cost less.

Read the entire interview at this location.